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Figure 11-2: Dreamweaver lists all the available CSS rules that can be applied to a new <div> tag either as a Class or ID.

To turn on this feature, select the Smart Text Reflow option in the Type pane Use the Add Pages To pop-up menu to tell InDesign where to add new pages: End of Story, End of Section, or End of Document You have three additional controls available when smart text reflow is turned on: n Limit to Master Text Frames: If selected, this option will add or delete pages only for text flowing through master text frames (covered in the Creating text frames on master pages section, earlier in this chapter) n Preserve Facing-Pages Spreads: If selected, InDesign will not delete individual or add pages within existing spreads That way, right-hand pages won t become left-hand pages and vice versa as pages are added and deleted n Delete Empty Pages: If selected, InDesign will delete pages when there is no longer any text on them.

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Organization: Enter the name of the organization associated with the Nortel VPN Router. Locality: Enter the location where the Nortel VPN Router resides. State/Province: Enter the name of the state or the province where the Nortel VPN Router resides. Country: Enter the name of the country where the Nortel VPN Router resides.

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Note that it will not delete pages if they have other objects on them, except for objects created as part of master pages (see 6) Note that InDesign will not delete any pages that have master page objects that you later modified on the document page The smart text reflow feature can be a bit tricky to use If you have a master text frame in your document, InDesign will automatically add pages (and delete them, if you selected the Delete Empty Pages option) but only if you are working with text in a master text frame If you are working in a text frame other than the master text frame (or don t have a master text frame), InDesign may not automatically add pages for you.

As you choose a surface, the original highlights in red wireframe the surface you re selecting to make it easier for you to see where the mapping will occur.

That s because InDesign will add pages only if the text frame you are adding text to is threaded to another text frame on another spread and if Limit to Master Text Frames is deselected in the Type pane of the Preferences dialog box..

To permit the image to change on the fly according to the active working space, choose Edit Assign Profile and select the Don t Color Manage This Document option. A pound, or number, symbol (#) appears in the title bar to show that the image is no longer tagged with a color profile. Now, whenever you change the image s working space in the Color Settings dialog box, the image is updated in kind. Select the Preview option to view changes without exiting the dialog box.

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where 8 is the angle of the illumination within the emulsion (zero for the examples so far). Readers interested in a comparison of analytical models and measured results may wish to consult Liu et a [ . (1995).

V. Eyelashes A. Long: coquettishness, seductiveness, self-display B. Pronounced on a male gure: sexual identi cation issues VI. Eyebrows A. Trim: disdain B. Bushy: uninhibited VII. Mouth A. Overly emphasized: immaturity; oral-aggressive; xations; overly dependent B. Very large: orally erotic; language and/or speech disorder C. Omitted: dif culty in relating to others D. Concave/orally receptive: oral dependence, infantile E. Heavy line slash: verbally aggressive, overcritical; sadistic personality F. Heavy but brief mouth: verbal aggression; the anticipated rebuff makes the client withdraw G. Single line: tension, shutting the mouth tightly against something H. Object in mouth: Oral preoccupation VIII. Lips A. Cupid s bow lips (in concert with heavily cosmetized features): sexually precocious B. Inclusion of object (cigarette, pipe, toothpick): oral erotic IX. Nose A. Overemphasis: phallic preoccupation B. Nostrils: accent on primitive aggression C. Overextended: feelings of impotency X. Ears A. Omission (normal in young children, low IQ in adults): hallucinations, desire to shut out criticism B. Overemphasis: sensitive to criticism; auditory hallucinations; paranoid; ear injury or hearing disability C. Underemphasis: desire to shut out criticism XI. Teeth A. In profusion/exaggerated: aggressiveness XII. Tongue: oral concentration on a primitive level, erotic

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