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Now many European and Latin American countries as well as a fair number of Asian countries have signed on to treaties and have enacted FCPA-like statutes We re beginning to see greater interest from them enforcing their own anti-bribery statutes When you put those factors together, according to Ed, All of a sudden FCPA and corruption has come to the forefront and represents a major concern for a company doing business abroad The good news is that this change helps to level the playing eld for businesses around the globe, so it can help to open markets and create more opportunities for companies that operate with integrity..

The way a layer style is created in the Layers palette is neat and efficient; it locks the layer style to the object for which it was created. Occasionally, though, you will want to create a separate layer from a layer style so that you can edit the layer style separately from the Object layer. For example, you may want to create an outline of an object, and just use the outline in a composite. You may also want to create a shadow and separate it from the object, giving it greater distance than you can create through the Layer Style settings. You can separate the layer styles from the original layer by right-clicking them and choosing Create Layers. This creates a separate layer for each of the layer styles, as you can see in Figure 5.3. You ll also notice that the names of the layers are very descriptive; for example, Layer 1 s Outer Glow is obviously just what it says it is. Once you ve created a full layer for them, the layer styles are individually editable. You can move them, add special effects to them, create masks from them, or apply any number of Photoshop techniques. Now that I have discussed how to create layer styles, I ll show you a few techniques using this feature. Going through these exercises will answer any questions you may have and help you feel more comfortable using this feature on your own 3D files.

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FIGURE 11.9 By using the Black & White command to handle this black-and-white conversion I was able to have greater control over the tonality of the sweater. I lightened it without adversely affecting the skin tones.

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In this exercise the goal was to experiment with the techniques for adjusting speci c color ranges with the Hue/Saturation command. This kind of color correction control allows you to do things like: change the hue and saturation of the blues in a sky, change the color of the greens in the grass or foliage, or change the color of someone s shirt, to mention a few examples. Just be aware that when using Hue/Saturation to target a speci c color range that all colors within that range are affected. For example, if you change the blues in the sky, it will most likely affect the color of the blue jeans someone in the image is wearing.

ulation, 62(2):98-111, 1994.

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240-V rms sinusoidal voltage, as show n in Fi g. P9.93a. However, the elec tric ian has mi stakenly connected the range to 120 V rrns, as shown in Fig. P9.93b. What is the effec l of thi s error

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F7 Option+click Eyeball icon in Layers palette click Page icon at bottom of Layers palette or +Shift+ Option+N +click Page icon at bottom of Layers palette Option+click Page icon at bottom of Layers palette or +Shift+N +Option+click Page icon at bottom of Layers palette +J +Option+J +Shift+J

associated with the equation s for calculating the re sistors in the de lt a as a fun ct ion of th ose in the wye.

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