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Usually when you insert a file into a drawing, the block name and filename are the same. Likewise, when you WBLOCK a block, you usually name the file with the name of the block. Be aware that when you use block substitution, you have a block in your drawing that is the same as a file of a different name. For example, if you have a block in your drawing called smalldesk and substitute a file called bigdesk, you now have a block called smalldesk that is actually the same as the file bigdesk. This can become confusing, so use block substitution with care.

n File Creator: Again, this option is relevant only on a Mac. Type the four-character creator code, which tells the system software which application created the file. By default, the creator code is 8BIM, Photoshop s code. Ignore this option unless you have a specific reason for changing it for example, to open the image in a particular Macintosh application. (You won t hurt anything by changing the code, but you will prevent Photoshop

Cameras all come with their own way of defining and interpreting color, and these color profiles are part of what is saved to the metadata of your image file. When you bring an image into Camera

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QuickTime s HREF track can be used to create Web links. Unlike Premiere, GoLive enables you to create both clickable and nonclickable Web links. You can use this feature in a page with HTML frames. When the movie plays, you can send it to the URL of the frame and specify that it play in the top part of a frame or in a new window. Here s how to add a QuickTime HREF track and to specify a Web link with Adobe GoLive: 1. To create a new HREF tack, click and drag the HREF icon from the QuickTime section of GoLive s Object palette to the Tracks section of the Timeline. 2. Activate the New Sample tool (Pencil icon) and click the triangle next to HREF track to open the samples track. 3. Create a new samples track by clicking and dragging with the New Sample tool in the blank sample HREF area of the Movie Timeline (which is beneath the background track). 4. Position the HREF track in the area in which you wish to have the Web link occur. To shorten or lengthen the track, click and drag the edge of the track. 5. Open the Inspector palette, shown in Figure 17-10, by choosing Window Inspector. The time readout in the Inspector palette shows the start and stop times for the Web link action. 6. If desired, use the Divide Sample tool to divide the track into the specific number of HREF segments you want. (Do this only if you wish to create multiple clickable links.)

The magnitude and phase are constant and independent of frequency. Sketches of the magnitude and phase of ZR are shown in Figs. 12.1band c. Obviously, this is a very simple situation.

To understand how to create a custom appearance for a digital ID, follow these steps:

Polar coordinate display is very helpful while drawing isometrically. The coordinates are easier to understand than the unusual absolute snap point coordinates created by

Clip. Keeps the image at its original size and cuts off parts of the picture that don t t in the control. Zoom. Fits the image in the control and keeps it in its original proportion, which may result in extra white space.

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Advertisers want the most for their money. You want the most for your work (admit it, you do). The answer to your common predicament is documentation. You need to be able to show advertisers how many people download and/or listen to your podcast. In magazine advertising, the business is audited by independent third parties that report on the circulation of magazines. Likewise in radio and television. Podcasting s early metrics, based on the number of downloads, is very similar to the early Web advertising business measurement of audience size. But over the last decade, counting Web pages has matured beyond hits, which could count multiple parts of a page as different pages and inflate the results, to a variety of sophisticated metrics, many that depend on converting audience into buyers. Google s AdSense program, for example, pays for actual clicks on ads, not the number of times an ad is displayed. In podcasting, the measurement of ads will evolve dramatically over the next few years. We don t know all the ways that it may develop, but advertising certainly will be more complicated than it is now.

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